Ballard in the Rear View

Deborah Kara Unger and James Spader in Crash, courtesy of the Criterion Col...

American Cinematographer – Crash: Auto Erotic

Director of photography Peter Suschitzky discusses the methods and motivati...

Another Decade with Takashi Miike: Extreme Violence, Extreme Passion

"First Love" (2019) exemplifies Takashi Miike's 2010 filmmaking in its evolution of a genre and style that made the director's name.Another Decade with Takashi Miike is a series of essays on the 2010 films of the Japanese maverick, following Notebook's...

‘Pinocchio’ Review: Roberto Benigni In Matteo Garrone’s Bizarrely Wonderful & Very Italian Version Of...

https://deadline.com/video/pinocchio-review-roberto-benigni-matteo-garrone-video...

Matteo Garrone on Telling a New ‘Pinocchio’ Story and Collaborating with Roberto Benigni

Plus, Garrone shares the biggest challenges he faced while bringing his vision to life. ...

Good Morning America ‘Pinocchio’ review: A fresh and more grown-up take on the animated...

Warning to parents: This is not the 1940 Disney cartoon classic. This "Pino...

Crash review – Cronenberg’s auto eroticism still has impact

The controversy surrounding the original release of this dark exploration of sexy car accidents now seems quaintly outdated – but the film holds up well ...

Interview: The ‘Pinocchio’ Hair & Makeup Team Bring Him To Life

By Abe FriedtanzerThe Disney film Pinocchio, originally released in 19...

How the Makeup Team Behind “Pinocchio” Created Magic Without Visual Effects

By Joey Moser, February 28, 2021I will own up to the fact that I thought th...

How ‘Pinocchio’ Team Turned the Actor Into a Puppet Without VFX – Variety

Matteo Garrone’s retelling of “Pinocchio” got a surprise boost when his spi...

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